Othello’s Evil Side Essay -- Othello essays

Othellos Evil Side In the Bard of Avons tragic drama Othello there is a genuinely disquieting dimension of the play this is the disgust dimension, which has much(prenominal) depth and long suit that it penetrates not only the mind but the body and soul of the audience. level the imagery in the drama has its evil aspect. Kenneth Muir, in the Introduction to William Shakespe be Othello, explains the instances of goddamn imagery in the play as they relate to the infecting of the berth by the ancient The same transference from Iago to Othello may be observed in what S. L. Bethell called diabolic imagery. He estimated that of the 64 images relating to hell and damnation many of them are allusions rather than strict images Iago has 18 and Othello 26. But 14 of Iagos are used in the first cardinal Acts, and 25 of Othellos in the wear three. The theme of hell originates with Iago and is transferred to Othello only when Iago has succeeded in infecting the Moor with his jealous y. (22) In his defend of literary criticism, Shakespearean Tragedy, A. C. Bradley gives an in-depth analysis of the brand of evil which the ancient personifies Iago stands unequivocal among Shakespeares evil characters because the greatest intensity and subtlety of imagination maintain gone to his making, and because he illustrates in the most perfect combination the two facts concerning evil which seem to have impressed Shakespeare most. The first of these is the fact that short sane people exist in whom fellow-feeling of any kind is so weak that an almost absolute egoism becomes possible to them, and with it those hard vices such as ingratitude and cruelty which to Shakespeare were far the worst. The second is that such evil is... ...oduction. William Shakespeare Othello. New York Penguin Books, 1968. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos. Wayne, Valerie. Historical Differences misogynism and Othello. The Matter of Difference Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY Cornell University Press, 1991. Wilson, H. S. On the image of Shakespearean Tragedy. Canada University of Toronto Press, 1957. Wright, Louis B. and Virginia A. LaMar. The Engaging Qualities of Othello. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p. Simon and Schuster, Inc., 1957.