Landscape in the Classic Western

The article Landscape in the horse opera unmixed text Landscape in the Classic Hollywood Western by Stanley Solomon focuses around the central claim that landscape is definitive to the film musical style of Western, defining two plan and characterization. First, the severity of the barren landscape against which the p chew of Western movies revolves suggests that the characters in the movie either allow to be disordered or likely to fall prey to more rugged ones. precisely populated rural places allow for the clear-cut distinction between an ingenuous group of citizens with local sheriff as their leader and a gang of profligate criminals. Since the landscape is clear-cut and straightforward, so are the characters and their moral traits. The same is adjust for sharply delineated codes of behavior that have to be grasped by both criminals and good guys.The severe natural and tender environments, in which the characters of the Western have to act, develop skills crucial to s urvival, including competence in the face of danger, courage, determination, and endurance (Solomon 1976). The panic in most cases comes not from nature that, for all its mercilessness, is fair and certain in its threats, but from human villains. The struggle between moral and wrong characters is the cornerstone of the plot.A peculiar environment often tells a lot about the womens role. Most of female characters, exactly like men, should experience strength of character and survival skills that are looked up to by men. At the same time, women bring a humanizing effect to movies, supporting the value of human life.Western movies often call for insights into the past of the character, in contrast to urban movies where the emphasis is on the throbbing present of the city life. A Western character arrives at the scene a mature man, shaped by his past experiences, that often involve some indelible tragedy. Understanding a characters past is essential, although information of it is of ten presented as a mere hint. The interrelationships of landscape, characterization, and the past form the central focus of the Western writing style (Solomon 1976).BibliographySolomon, Stanley. Beyond Formula American Film Genres. 1976.